Helmerson gives a clean, dark, ultra-tense, freakishly high-strung and hyper account of it that is rife with hair-trigger responses to even the subtlest shifts and inflections.
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This is a highly-wrought ten-minute Bartók-influenced work of mid-20th-century modernism (but not avant-gardism) that is informed by a healthy respect for tradition. Honorary member, International Cultural Society of Korea.ġ998 Cannes Classical Award: Best CD of a Living Composer.Ģ001 Grammy for Best Contemporary Composition (Star-Child)Ģ004 Musical America “Composer of the Year”.George CRUMB: Sonata for solo cello (1955) Honorary member, Deutsche Akademie der Kunste. Prince Pierre of Monaco Gold Medal, 1989. Member, National Institute of Arts and Letters, 1975. UNESCO International Rostrum of Composers Award, 1971. Pulitzer Prize (for Echoes of Time and the River), 1968. National Institute of Arts and Letters grant, 1967. George Crumb has received numerous awards:Įlizabeth Croft fellowship for study, Berkshire Music Centre, 1955.
#Black angels crumb recordings series
Peters, and the series of recordings of his complete works supervised by the composer is published by Bridge Records. George Crumb’s music is published by C.F. A shy, yet warmly eloquent personality, Crumb left his teaching position at the University of Pennsylvania after more than 30 years of service. Many of Crumb’s works contain symbolic, mystical, and theatrical elements, often reflected in his scores by a beautiful and meticulous calligram-like notation. George Crumb’s music often juxtaposes contrasting musical styles, drawing inspiration from traditional western American music and arts, hymns and folk music. Crumb’s most recent works include “Eine Kleine Mitternachtmusik” for solo piano (2001), “Otherworldly Resonances” for two pianos (2002) and a four-part song cycle, “American Songbook” (The River of Life, A Journey Out of Time, To the Mountains, The Winds of Destiny) (2001-2004). Other major works from this period include: “The Black Angels” (1970), for amplified string quartet “Vox Balaenae” (1971), for flute, cello and piano “Makrokosmos, volumes 1-2” (1972-73) for amplified piano “Music for a Summer Evening” (1974) for two pianos and amplified percussion, then his largest score: “Star-Child” (1977), for soprano and trombone soloists, antiphonal children’s voices, spoken men’s choir, bell ringers and large orchestra. Many of his vocal works are based on the poetry of Federico Garcia Lorca, including “Ancient Voices of Children” (1970) “Madrigals, books 1-4” (1965-69) “Night of the Four Moons” (1969) and “Songs, Drones and Refrains of Death” (1968). In the 1960s and 1970s, George Crumb produced a series of landmark pieces that were immediately taken up around the world by multiple soloists and ensembles. His early works include “Three Early Songs” (1947) for voice and piano, “Sonata” (1955) for solo cello and “Variazioni” (1959) for orchestra, which constitute his doctoral thesis.
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He received the DMA from the University of Michigan in 1959, after studying with Ross Lee Finney. He continued his studies with Boris Blacher at the Hochschule für Musik, Berlin from 1954 to 1955. Subsequently, he studied at the University of Illinois, Champaign-Urbana for his Master’s degree under the tutelage of Eugene Weigel. George-Henry Crumb, winner of the Grammy Award in 2001 and the Pulitzer Prize in 1968, still composes new works today that enrich the musical lives of those who immerse themselves in his profoundly humanistic art.īorn in Charleston, West Virginia, on October 24, 1929, he studied at Mason College of Music where he received his Bachelor’s Degree in 1950.
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From Los Angeles to Moscow, and from Scandinavia to South America, festivals devoted to his music have sprouted like wild flowers. George Crumb’s reputation as an author of music with bewitching charms has made him one of the most frequently performed composers in today’s musical world.